find, and the same disciplined proportions that would feel at home along Cary's tree-canopied lanes govern the hallway's progression toward the private wing. Here the white oak flooring deepens a shade where sunlight has seasoned it through those east-facing panes, lending the passage a warmth that Carrollton's grander corridors only hint at, while the crown molding carries forward without interruption, stitching public spectacle to private refuge in a single unbroken line. It is this continuity of craft—the refusal to downgrade materials simply because a space is transitional—that positions the estate among the region's most thoughtfully executed residences, a quality that becomes even more evident as the hall widens ahead and the ceiling height begins its subtle climb toward what awaits in Champaign's